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Old 17-10-11, 10:17 AM
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Default Slavoj Žižek: Blofeld rides again

Slavoj ?i?ek: Blofeld rides again | Culture | The Guardian

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Slavoj Žižek is in bed. He's wearing cheap pyjamas in a porridgy shade of grey. He looks exactly like the photographs I've seen of him: fag-ash beard, ghostly complexion. I loom over him, and he glowers back. His face is just inches from mine, so close I can feel his breath.

"No, you are wrong!" he hisses. "My dreams were not really mine! That's why I wanted to be reborn!"

None of this is a product of my subconscious. In fact, we're at a studio near Dublin, working on The Pervert's Guide to Ideology, a film in which the Marxist provocateur and bestselling philosopher is starring as himself, albeit in a series of loving re-creations of movie scenes. What's being mocked up now is a key moment from the 1966 classic Seconds, about an unhappy executive who assumes a new identity. Žizˇek is in the Rock Hudson role. I have been handed a pair of glasses and am appearing as a supporting character. Or rather, the back of my head is.

Žižek scowls at me a second longer, until a woman calls out: "OK, thank you, Slavoj. Let's do it again – but can you two get closer this time?"

The voice belongs to British documentary-maker Sophie Fiennes, who also directed 2005's acclaimed The Pervert's Guide to Cinema, in which Žižek delivers inspired rereadings of classic movies, ultimately suggesting that cinema may in fact be more real than the mundane world outside the darkened theatre. Fiennes hit on the idea of restaging the movies Žižek was discussing and dropping him into them. Now the pair have reunited for a sequel. This time, however, the subject isn't film but ideology itself, something he thinks now goes largely unquestioned.

"We all accept liberal democratic capitalism, even during this current pan-European disaster," Žižek says. "We timidly ask, 'Oh, can we have a few more rights for minorities? A little more healthcare?' But nobody questions the frame. And that is the real triumph of ideology."

Cinema remains the vehicle, though. The last few days have seen reconstructions of Full Metal Jacket, Taxi Driver, Stalinist propaganda piece The Fall of Berlin, cult sci-fi movie They Live – and The Sound of Music, in which the star skewers commodity fetishism while dressed in a cassock. But whatever the costume, whatever the scenario, the constant is Žižek, his analysis and context for all this delivered at a breakneck pace, spilling out in a torrent of lisps, mispronunciations and frantic hand gestures. This is the same cartoonish, brilliant Žižek who has reached vast audiences with his writing (more than 50 books) and his live shows. Žižek, clearly, is not your average Slovenian philosophy professor.

As Fiennes watches our scene replayed on a monitor, Žižek shambles up, still in his pyjamas. "Sophie, we must have time today for me to re-enter the tank." I notice, off in a corner, a high-sided water tank. It was used yesterday to recreate Titanic, with Žižek in a lifeboat. The water has acquired a scum overnight, but Žižek is adamant: "Today I must be in the water."

Fiennes, tall and unflappable, explains that her star has decided the movie must have an underwater finale. "He's desperate for it to be a proper film with a proper happy ending," she smiles. "He's just not sure what it is yet."

Satisfied there will be time to take a dip, Žižek resumes the monologue he keeps up when in company. To be around him is to be privy to a gregarious, open-ended address on, well, take your pick: Shostakovich, cloud computing, industrial rock band Rammstein, Malian cotton production, Icelandic crime fiction, the 1,200-page opus on Hegel he's just finished writing, all punctuated by a supply of dirty jokes involving married couples in the former Yugoslavia.

"I have two questions for you," he says to me. "Do you ever receive bribes from film producers to favourably review their films, and did you ever interview the American actress Liv Tyler?" As anyone who's read Žižek's madly interwoven works of theory will know, film is his prism: rare is the argument he can't illustrate with a reference to Hitchcock. But then it may be the perfect art form for a thinker who treasures contradiction, a medium of simple surfaces and hidden depths that can be both trashy and transcendental.

A recent visit to China allowed him access to a vast range of dirt-cheap pirate DVDs. "They are really such wonderful quality now. Flawless! I bought Antonioni, I bought Woody Allen." He segues into the links between Zhang Yimou, director of 2004's House of Flying Daggers, and the Chinese government; his respect for film-maker Zack Snyder (Watchmen, 300); and his suspicion of European art movies. "Even Bergman, who made many films I like, when I see his Cries and Whispers, I become Goebbels. 'Just burn this!' Gah!"

Unsurprisingly, Žižek's soliloquies to camera, while based on passages from his books, leap off in all directions. But today the clock is ticking. Apart from Seconds and Titanic, the schedule also requires a re-creation of The Dark Knight, with Žižek addressing Batman in a Gotham interrogation room. As the crew prepares, he regales them with gags about Balkan foreplay (the man wields a rock). Then hush, and action.

With his gaze fixed on a stand-in caped crusader, he begins: "In psychoanalytic treatment, it is crucial the analyst and his patient are not confronted face to face – because psychoanalysis knows the face is a lie." Then he's off, citing George Bush's notorious glimpse of Putin's "soul" and critiquing The Omen, before dissecting the use of white lies among colleagues.

The connections keep coming. He reviews the brutal logic of the Iraq war, the silence of economists before the financial collapse – and then glides back to Christopher Nolan's movie. "The gravest implication about The Dark Knight is that it elevates the lie into the principle of society, as if for society to operate at all, there has to be a lie, as if to tell the truth must automatically mean chaos –" At this point, Batman stumbles forward. There will have to be another take.

Žižek smiles resignedly. At 15 he wanted to direct films; at no point did he long to be an actor. Despite his geniality, he insists he's no natural performer. "Never in my life did I dance, and never did I sing. It is too obscene for me psychologically. Even in private, I am unable. And yet here I am, singing and dancing."

Leftwing multiple orgasms

Fiennes compares Žižek's thought process to a musician unable to stop playing. The film-maker has documented many mercurial subjects: dancer Michael Clark, artist Anselm Kiefer, fellow director Lars von Trier. But with Žižek, beneath his near-constant teasing, there's clearly mutual respect. He's the star, but the film is hers: before shooting, she combs his work for possible scenarios; afterwards, she edits hours of footage; in between, she wrangles him. "It's always collaborative. He needs to know I won't bully him. Making The Pervert's Guide to Cinema was a huge controlled experiment, and so is this."

At 62, Žižek does tire. But even as he takes a rest, he stares at the water tank. You might think the demise of global capitalism would have already given this Marxist his perfect closing scene, He says not: "I am a communist, but I am not an idiot. What to me is tragic in all these events – that give old-fashioned leftists multiple orgasms – is where is any concrete principle of reorganisation? What is new? Because that is what is needed. But I do not see it. Liberal democratic capitalism is approaching its limit, and in its place we need large, coordinated social actions. Otherwise the future will resemble one of my favourite films, Terry Gilliam's Brazil. Not the old fascism, but a fascism of buffoons. I am not a catastrophist, but also I am not a Marxist who thinks history is on our side. No!"

When the Titanic scene finally happens, it's so late I have to go. Žižek hovers in a corridor, preparing to change into a wetsuit, having been talked out of doing the scene in his underwear. I tell him I hope he finds his happy ending. He nods energetically. "I would say the same to you, but you already have yours – you are leaving!"
Thank you and good night. Wanting a little realism in all of this isn't a capital offense against the Faith.

I still don't want communism because, as I insist, it's just not my bag, baby, but Zizek's vision doesn't sound like something entirely unreasonable and doomed to failure from the outset (though it's still pretty likely).
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Old 17-10-11, 10:55 AM
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We all accept liberal democratic capitalism, even during this current pan-European disaster," Žižek says. "We timidly ask, 'Oh, can we have a few more rights for minorities? A little more healthcare?' But nobody questions the frame.

---------------------------------------

Maybe that's because we have tried many other systems since the dawn of time and it hasn't worked out quite so well... Paraphrasing Churchill: "Liberal democratic capitalism is the worst system... to the exception of all the others"...
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Old 17-10-11, 04:05 PM
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Zizek should organise it himself. I mean, I'm criticising the OWS guys for saying "somebody do something" but he's basically doing the same thing, though he has a far clearer idea of what the problem is.

After all, he's charismatic and reasonably well-known as far as marxist philosophers go, and clearly no one else is going to do it. He should start a revolutionary war against the US government. It's what I'd do if I were in his position and remotely gave a toss.
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Old 17-10-11, 04:43 PM
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Originally Posted by Zichao View Post
Zizek should organise it himself.
Ha! I think you've found the flaw in the plan. even the good points in your argument are in fact negatoves.

Anyway, it's no skin off my nose. Zizek can swan about being a celebrity Marxist, but as you admit he;s not actually doing anything. And that means he doesn't matter.

There are - obviously, inevitably, unsurprisingly - Marxist critiques of Zizek's position. I won't bore you with them; as I've said before, there is much broader engagement and much more thought on th radical left then the entirety of the rest of the political "spectrum".
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Old 17-10-11, 05:04 PM
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He's making a film and appearing in the Guardian - getting recognition.
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Old 17-10-11, 05:06 PM
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Quote:
There are - obviously, inevitably, unsurprisingly - Marxist critiques of Zizek's position. I won't bore you with them; as I've said before, there is much broader engagement and much more thought on th radical left then the entirety of the rest of the political "spectrum".
That's why you guys never get anywhere - you just spend all your time arguing over mind-numbing points of ideology.
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Old 17-10-11, 05:39 PM
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Originally Posted by Zichao View Post
That's why you guys never get anywhere - you just spend all your time arguing over mind-numbing points of ideology.
Arguably so, but strategy is important.

Those who are in love with practice without knowledge are like the sailor who gets into a ship without rudder or compass and who never can be certain whether he is going.
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Old 17-10-11, 06:34 PM
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Even if you're on the right track you'll get run over if you just sit there.

- Will Rogers
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Old 17-10-11, 06:53 PM
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Absolutely true.
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Old 22-10-11, 01:43 AM
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The not so “weightless world”
Chris Harman

As many look to radical alternatives to the barbaric system of capital, the ideas of philosophers such as Slavoj Žižek have struck a chord. But beneath the surface of his post-Marxist arguments, do his ideas have the potential to change the world?

The Marxism 2007 festival held in London this summer showed that a new layer of activists are eager to debate ideas of how to change the world. Many are drawn to the ideas of people such as Slovenian philosopher Slavoj Žižek, who spoke at the festival.

Žižek is an entertaining speaker, using his personal idiosyncrasies to sometimes hilarious effect as he rejoices in provocations directed against mainstream liberal ideology.

Yet when you cut through the philosophical – sometimes obscure – language, he has not a lot to say. He called for “emancipatory” struggles in his talk, but his only reference to where they might come from was the slums of Third World cities.

I asked him why his analysis did not deal with the central thesis of Marx that the central process of capitalism, based on the accumulation of alienated labour in the form of surplus value, created a working class which had the potential to fight back against the system.

His retort was to the effect that Marx’s theory of value was irrelevant today because the key factor of adding value to goods was immeasurable intellectual labour. To argue otherwise, he implied, was a form of doctrinaire dogmatism from old fashioned Marxists who simply rant on about the working class.

But I could not help feeling that his own understanding of present day capitalism owed much to two notions very fashionable within the mainstream liberal ideology he usually attacks. The first is the claim that we live in a “weightless world” of “immaterial production”.

But those who make this claim themselves depend on a vast number of very material products, for example their food, beds, homes and transport, as well as the computers and software they use to write articles about immaterial production.

This ties in with the second myth, that somehow “human capital” in the form of knowledge replaces the “dead labour” which Marx described as going into plant and machinery. It is this which leads Žižek to claim that the measure of labour is no longer the measure of value.

But knowledge today is itself a product of industry-like processes. Advances in technology are produced by hierarchically organised teams under pressure to produce necessary advances in the necessary time, just as if they were putting fittings on cars on an assembly line.

There has been a recent mass of empirical study into the changes that are really taking place in the world workforce. Žižek did not refer to any in his talk, and in an article in the journal Rethinking Marxism he simply asserts: “Today’s ’post-industrial’ society needs fewer and fewer workers to reproduce itself (20 percent of the workforce on some accounts).” In fact, a World Bank study has shown that a higher proportion of the world workforce are in wage labour than ever before – a third full time and another third combining it with work on the land.

It could not be otherwise. For global capitalism is still expanding despite its ups, downs and recurrent crises. Its expansion is fed by pumping labour out of living human beings to create profit, rent and interest (which together make up what Marx called surplus value). New categories of employment are thrown up and old ones transformed. But all of them are subject to the characteristic capitalist subordination of human creativity to measurement by the hour and minute – or, as Marx put it, measuring value on the basis of “socially necessary labour time”.

It is the centrality of labour to the functioning of the system that gives those undertaking it potential to challenge the system. Concentrated at the heart of its productive processes, they are repeatedly driven to develop collective ways of fighting it.

Žižek counterpoises the “inhabitants of slums” in the giant cities of the Third World, as “the new proletariat” and the “germs of the future”, to the working class. But slum dwellers are made up of individuals with a vast variety of ways to make a livelihood: petty street traders, casual labourers, contract workers for giant multinationals, small employers, or touts for taxis or hotels.

Such heterogeneous masses are not driven to fight back collectively like workers except in exceptional cases, for example when real estate speculators threaten to flatten the slums or the police go wild. Organisation existing in slums tends to be that of “populist politicians” offering meagre jobs or doles to those who mobilise votes for them, of religious revivalists dishing out pie in the sky, or of communalist parties fighting to improve the position of one section of the middle class at the expense of another from a different ethnic or religious background.

There are exceptions to this pattern. They arise precisely when a movement of workers shows there is a collective force capable of challenging the system and, in doing so, providing hope for all the oppressed groups that make up slum “communities”. Recent examples include the coming together of workers’ and community struggles in Oaxaca, Mexico and La Paz-El Alto, Bolivia.

The audience for people like Žižek today shows a new interest in radical ideas due to the influence of the anti-capitalist and anti-war movement. But you cannot discover how to fight the system without moving beyond a philosophical gloss on fashionable myths to examine the empirical reality of modern capitalism and the character of concrete struggles against it. This is something Žižek showed no sign of doing.

Chris Harman: The not so "weightless world" (September 2007)
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