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Old 10-10-10, 10:49 AM
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Default Only a sadist would inflict Dryden on our schoolchildren

Only a sadist would inflict Dryden on our schoolchildren | Catherine Bennett | Comment is free | The Observer

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What is to be done with boys who won't read? Solutions to this problem currently range from bribery with cakes and the provision of virile literature to more male teachers and exciting outdoor adventures, so as to tire boys into reading. Alternatively, the education secretary suggests, they should study Dryden.

The only difficulty for teachers wishing to share Michael Gove's proposal with 11-year-old boys is knowing where to start. Should they treat the lads to the allegorical Absalom and Achitophel, in which the poet uses the Old Testament story of Absalom's rebellion against King David as a device for attacking Monmouth, the illegitimate son of Charles II, along with his fellow participants in the exclusion crisis, an episode with which most members of the current cabinet are no doubt familiar? There is a risk that the opening passages, featuring some suggestive lines about King David/Charles's lust and scattered seed might lead to unwelcome sniggering.

In that case, how about the safer territory of Religio Laici, in which the poet tolerantly addresses the religious disputes of the day: "Nor does it balk my charity, to find/ The Egyptian bishop of another mind"? Or his comic masterpiece, Mac Flecknoe, satirising an obscure Restoration rival: "A tun of man, in thy large bulk is writ,/but sure thou'rt but a kilderkin of wit" (kilderkin: an old English unit of volume equal to two firkins).

Even lovers of Dryden may find themselves pressed to select the poem that best encapsulates his strengths for, as one editor, John Conaghan, loyally put it: "His genius is immense, but various and not consummate in any single work." There is, says The Cambridge Guide to Literature, a further difficulty with the master of the heroic couplet: "He is today admired but not quite enjoyed." Though "today" is a bit misleading, the legions of Dryden-averse having also included Wordsworth and Michael Gove's own mentor, Matthew Arnold. Then again, neither of these poets had the inducement of a cake at the end of every stanza.

It could be, anyway, that the sheer, pitiless tedium of reading or effectively translating Dryden's satires will be, in Gove's opinion, a salutary lesson for our indulged youth. In his conference speech, he declared that education has been undermined by lefty "ideologues" who, craftily subverting the national curriculum imposed by Kenneth Baker, have promulgated their belief that schools "shouldn't be doing anything so old-fashioned as passing on knowledge, requiring children to work hard or immersing them in anything like dates in history or times tables in mathematics". While the reform of history teaching so as to instil what Gove unblushingly calls "our island story" is to be led by the non-ideological celebrity scholar Simon Schama, it appears that the non-ideological revival of letters is to be led by Gove himself, wearing his FR Leavis hat.

"The great tradition of our literature – Dryden, Pope, Swift, Byron, Keats, Shelley, Austen, Dickens and Hardy – should be at the heart of school life," he told teachers. Presumably, he is unaware that, out of his list of neglected names, fewer than half (Dryden, Pope, Byron and Shelley) do not already feature in key stage three of the national curriculum as "texts that enable pupils to understand the appeal and importance over time of texts from the English literary heritage".

At key stage four, for 14-to 16-year-olds, all his favourites are options. But perhaps Gove wants them to be compulsory? Only the imposition of his personal canon will show whether he is correct in believing that England's behaviourally challenged teens can be made to share his enthusiasm for an Augustan even other Augustans couldn't stand. Perhaps mere incompetence has led to the "Boys into Books" scheme and to English teachers on internet forums sharing experiences of the poetically disengaged.

"I need to model how to analyse a poem," writes one, deputed to teach war poetry, "as the students do not really understand the poetry terms such as metaphor, personification etc, but it is very difficult to get the group quiet quickly enough or long enough." The teacher had tried to engage a group of low-ability 14-year-olds with a clip from All Quiet on the Western Front: "Approximately half the class continued shouting and disrupting those who were trying to watch." But that is not to say the boys would not enjoy The Rape of the Loch.



In terms of intergenerational fairness, however, the Gove reforms would be an outrage. Where in the last half century have Dryden and Pope been routinely imposed on children? Even in the corporal punishment years, such abuse was rare. Gove's plans for English literature, which he is not too ideologically repressed to call "the best in the world", would not just transport us to a time before Trots and nutters did away with spelling, but to some strange, faraway place that, surely, never existed outside his head.

Even his literary favourite, Dickens, satirised the rote-learning which Gove, in full Gradgrind mode, recently described as "a traditional education, sitting in rows, learning the kings and queens of England, the great works of literature, proper mental arithmetic, algebra by the age of 11, modern foreign languages. That's the best training of the mind and that's how children will be able to compete". Unless, of course, they plan to emulate Philip Green, a school-leaver at 16 who, knowing only the rudiments of Dryden, was recently invited to advise the government's Etonians.

You can recoil quite as much as Gove from the elevation of hack-work into set texts and still, given a choice between, say, JK Rowling and Byron, go for the book that is likely to keep 12-year-olds reading. But getting children to read for pleasure is not, plainly, uppermost in his mind. Nor is culture for its own sake or his priorities would be the assault on humanities in higher education and the threat to school libraries.

Instead, Gove's eccentric emphasis on a pair of Augustans who are commonly reserved for abler undergraduates suggests that his project for English literature is as instrumentalist as his retro, kings-and-queens version of history. This will not surprise readers of his old columns in the Times who recall his admiration for the Restoration era and of those poets – Dryden and Pope – who saw "in the monarchy a source of benign, and necessary, authority, unpolluted by ambition and above the petty politicking of parliaments".

Of rival school ideologies, Gove's recognisably traditionalist approach might, of course, appeal to more parents than the happiness lessons, Caryl Churchill and black history months of the Labour years. It is the founders of free schools, recently invited to soar above the rest, who must be wondering how their coming liberation can be reconciled with endless interfering by a man with a thing about authority.
Christ on a bike, what a fucking depressing article.

I know for a fact that most boys don't enjoy maths either, so we'd best get rid of that. In fact, most hate school in its entirety, so why don't we just give up on the concept of education altogether?

There's this bizarre middle class obsession that reading should be Fun and is necessarily Good For You, whereas any child knows that these categories are mutually exclusive. Yes, poetry is boring, but when your kid's all grown up and giving his first speech to the Bar Council's annual dinner do you really want him to quote Harry Potter as an opening?
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Old 10-10-10, 10:51 AM
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Incidentally:

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"The great tradition of our literature – Dryden, Pope, Swift, Byron, Keats, Shelley, Austen, Dickens and Hardy – should be at the heart of school life," he told teachers. Presumably, he is unaware that, out of his list of neglected names, fewer than half (Dryden, Pope, Byron and Shelley) do not already feature in key stage three of the national curriculum as "texts that enable pupils to understand the appeal and importance over time of texts from the English literary heritage".
They feature as *options*. We did that famous poem by Marvell about stumbling on melons and for the rest it was Maya Angelou wanabes all the way.
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Old 10-10-10, 11:17 AM
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Originally Posted by Zichao View Post
There's this bizarre middle class obsession that reading should be Fun and is necessarily Good For You, whereas any child knows that these categories are mutually exclusive. Yes, poetry is boring...
If that were true, there would never had been any poets and any poetry lovers. Which is clearly false. Hence...

Reading can be Fun. You read for Fun.

As to being Good For You, liking reading is, I think it's been demonstrated, a good indicator of scolarly performance. We still transmit knowledge through books and reading materials...

But, another thing that has been noted is that you cannot motivate people by telling them that something is good for them... in yrs to come. Rewards have to be more immediate than that. Not sure about the effectiveness of cakes-for-poems but it's definitely more immediate...
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Old 10-10-10, 11:36 AM
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Nevertheless, for thousands of years pupils have been dutifully committing to memory reams of tedious poetry because not knowing it would have been socially inacceptable in their future lives.
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Old 10-10-10, 12:29 PM
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Sure ; but, while i do value the french system highly, you won't find me regretting a rationalisation or modernisation of the curriculum. And trying to make it somewhat more enjoyable.

In France, they switched from latin to maths as a main selection tool somewhere in the 60s or 70s - latin dropped very fast from top dog to "option no one really care much about if not for the peer group selection aspect"...
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Old 10-10-10, 12:34 PM
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But knowing this stuff still a social accomplishment - in France this sort of thing even has a practical application in the culture générale exams. It serves as a means to exclude people who don't measure up from the elite.
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Old 10-10-10, 02:12 PM
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So education can and does fulfill several roles. There's definitely a selection aspect - i.e. treating the whole educational system as a giant IQ test. There's also a transmission of values aspect - i.e. elites looking to self-reproduce. Those being the two aspects you describe and seem to consider the be all and end all of it.

And, of course, there is a knowledge transmission aspect. Which is why an education is still somewhat better than strict IQ test. You can be very very VERY smart - And even scientifically minded but, if you do not learn architecture and the related sciences, I would dread walking on a (modern) bridge you built...

Finally, there is also genuine fun to be had by studying a subject you like. Contra mentioned loving astro-physics stuff. You like Victorian literature. I genuinely love history and economics.

To summarise: Some things you learn because you have to, some diplomas you pass just to send the right signals to employers but there is nothing wrong with enjoying some aspects of your education and therefore in trying to make some subjects more interesting...
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Old 10-10-10, 02:20 PM
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But it's a rare kid who's going to be passionate about any subject at primary/secondary level. It tends to be only when you get into the details that things get interesting.

It's a tough world out there. Give 'em what they need to survive; they can be interested in stuff in their spare time or at university.
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Old 10-10-10, 02:23 PM
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Literature being an obviously subjective choice. I'll leave aside the idiocy of considering english (or, for that matter, any) literature as intrinsically superior to any other.

When i have said in France that French should eventually died out and be replaced by English and some of the people I talked to have started yapping about how French literature would be lost on those future Frenchmen, I pointed out two facts. One, when was the last time the yapper read a classic? Two, we'd have the whole English literature to learn from. Bye Bye, Corneille and Racine, Hello, Shakespeare and Byron. It'd be much of a muchness. Who but a handeful of people have ever read Ovid or Virgil or Seneca, let alone in the original latin version?

OTOH, a successful comic serie about Nero (Murena: Murena - BD ) has been "translated" in Latin.

If your parents forced you to take the Latin option so that you'd end up in the "right" class in lycee, what'd you like your teacher to propose you? Seneca or Murena?
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Old 10-10-10, 03:18 PM
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Petronius, but what I want shouldn't matter. If I want a good job I've got to be able to pull some culture out of my arse upon demand (I think that the last time was when I was talking to some Chinese people about learning poetry at school - I managed to produce a bit of Bishop Blougram's Apology of all things), and I'd rather learn it in school than have to do it in my own time.
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