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Old 27-08-10, 11:29 AM
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Default One in four lap dancers has a degree, study finds

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The first academic research project into lap dancing has found that, rather than being uneducated young women who have been coerced into the industry, one in four dancers has a degree and has been attracted by the money.


Dancers took home an average of £232 a shift after paying commission and fees to the club, with most working between two and four shifts a week – giving them annual incomes of between £24,000 and £48,000 a year.

The researchers found no evidence of trafficking in the industry, and concluded that career and economic choices were motivations for dancing rather than drug use or coercion.

Aspiring actresses, models and artists used exotic dancing as a career strategy which fitted alongside their other work, training or studies.

Unemployed new graduates – mainly with arts degrees – were also dancing because they could not find graduate jobs and found that lap dancing paid much better than bar work.

The research by Dr Teela Sanders and Kate Hardy, from the University of Leeds, found the vast majority of dancers reported high rates of job satisfaction.

The main attraction of the work was the flexibility it offered to combine different work options and studying.

However, the researchers also found dancers' welfare was often disregarded. They called for better regulation to improve dancers' safety and security, including the banning of private booths in clubs, arguing that women could be in danger when alone with customers or that standards could be lowered by women offering more than was allowed in dances. Dancers were also open to financial exploitation by the clubs who could impose charges and fines.

One dancer told researchers: "There's not enough security. I know of girls who have been raped and abused at work. You cannot go to the police as you are a stripper, so there's no legal standing."

The research comes at a pivotal time for lap dancing clubs. After an explosion of clubs across UK high streets, a change in the law earlier this year saw their reclassification as sexual entertainment venues, giving local authorities more powers to limit the number of clubs in their area and to take objections into consideration.

The change in the licensing laws governing lap-dancing clubs came after a campaign by the Fawcett Society and Object, the women's rights organisations. They have welcomed the change in the law but called for it to go further, saying "lap-dance clubs are a form of commercial sexual exploitation and promote the sexist view that women are sex objects".

Dr Sanders said she had been surprised at the "endless supply of women" wanting to be lap dancers. She said: "These women are incredibly body confident. I think there is something of a generational cultural difference. These young women do not buy the line that they are being exploited, because they are the ones making the money out of a three-minute dance and a bit of a chat. You have got to have a certain way about you to do it. They say 80 per cent of the job is talking. These women do work hard for their money – you don't just turn up and wiggle your bum.

"But there is an issue about whether these women become trapped in the job because of the money. I think people often stay longer than they want."

The preliminary findings of the year-long study, which will include interviews with 300 dancers, reveal that all the women interviewed had finished school and gained some qualifications.

Most (87 per cent) had at least completed a further education course, while one in four had undergraduate degrees.

Just over one in three dancers were in some form of education, with 13.9 per cent using dancing to help fund an undergraduate degree, 6.3 per cent to help fund a postgraduate degree, and 3.8 per cent using it to fund further education courses.

Some women begin dancing after graduating from university and not being able to find work. The researchers found arts degree graduates were most likely to report that they had turned to dancing after being unable to find other work. Others used dancing to provide a more steady and reliable income when working in more unstable arts jobs.

One dancer had been doing a law degree which included a work placement during her third year. While working, she got used to earning a good wage, decided she would struggle when she returned to university without an income, and began dancing as soon as she went back to finish her degree.

Case study: 'It's your job to flatter men into buying dances'

Amber gave up a career as a financial journalist seven years ago, and now earns around £40,000 a year working as a stripper in pubs in London's East End.

The 32-year-old, who has three A-levels and a journalism degree, said: "I had always been fascinated by the idea of being a stripper. I was disillusioned about the work I was doing. I think many people who have worked hard at school and university get out into the real world and find it's not what they expected. Someone I knew had a partner who worked as a stripper, so I went to see her perform at a pub in the East End.

"I think it's everyone's dream to be self-employed, to not have a boss and to work as much or as little as you want. In journalism, it didn't matter how many hours of overtime I put in, I still got paid the same. Now I can work really hard one week and earn good money, and then I can have a week when I don't work so hard and don't earn so much.

"At first, I combined the stripping with my office job, but then I thought I could come back to sitting behind a desk when I'm older. I've started to move away from pub stripping now, moving more into burlesque and pole and podium dancing.

"I've tried the big clubs, but it didn't suit me. In a funny way, I'm not money-motivated enough. I don't like flattering people's egos if I think they're a bit of an idiot. In a club, it's your job to flatter the men into buying private dances. It's a sales job, and the girls who do that job do it really well. You have to suss out someone's body language, look at their clothes and watch to suss out how much money they've got, and look at how they behave in the group they're in.

"I enjoy a proper strip show. I get to choose my own music, my own clothes and perform my own show. In the pubs, I pay £15 on average as a house fee, then you make your money by collecting £1 from everybody. There's no typical earnings – it depends how many people are there.

"It doesn't surprise me that dancers are well educated, although in my experience they tend to be from not traditionally academic families. One personality trait most share is being very driven. You need that to get good qualifications if you're not from a traditional academic background.

"I've met dancers who have degrees in astrophysics from top universities. They've pushed themselves hard to get those qualifications and now they're pushing themselves to be successful dancers."
One in four lap dancers has a degree, study finds - Home News, UK - The Independent
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Old 09-09-10, 10:27 AM
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Selling sex is bad. But a few A-levels don't make it worse

From Jennifer Thompson to Belle de Jour, attitudes about breeding and education have polluted the prostitution debate


o Zoe Williams
o The Guardian, Thursday 9 September 2010


So what turns a middle-class public schoolgirl into a £1,200-a-night escort? That's what the Daily Mail wanted to know when Jennifer Thompson made her large claims about Wayne Rooney. I couldn't at first work out the question … what's a public school education supposed to inoculate one against? Escorting people for money? Fraternising with Rooney? Or charging such a lame amount? (You should charge in round thousands if you want to look classy. That's what they taught us in home economics.)

Of course this is a rhetorical question: a private education isn't meant to teach you specifically how not to be a prostitute. Rather, it is supposed to confer a set of values that would make prostitution an unthinkable proposition. In the very act of paying for something they could get for free (I'm still on the private schools; though nobody's suggesting that Rooney couldn't get laid for free), your parents demonstrate how much they love you. So you should be chock-full of self-esteem, too refined to be an attention-seeker, intelligent enough to know that sex doesn't pay.

Indeed, a private education is held to be a paradox for any woman sleeping with any footballer, getting paid or not. (Rebecca Loos was the daughter of a diplomat: oh the intoxicating irony, that a woman of breeding should do such an ill-bred thing.) Furthermore, an education, fee-paying or not, should alone be enough to keep you out of the sex industries, so long as it's advanced enough. (A GCSE won't do, ladies, not even an A*.)

Well, it isn't enough. Last week it emerged that one in four lapdancers has a degree. This is only news because of an assumption that all sex for money – indeed, all objectification – is abuse. You get into it via ignorance and poverty. Nobody would do it without profound problems of self-worth, and a warped relationship with their own sexuality. Team that with the inescapable idea that anyone selling sex undervalues their own identity in the process, swapping the lived experience for the role of service provider. It's accepted that there's no financial context to selling your body, no sliding scale. It is what it is.

And I always found the opposite view really irritating: the Belle de Jour trope of a high-class hooker, shagging for money but with a great 'do and a Prada bag at the end of it, so what's not to like? This epitomised everything airheaded about "postfeminism", with its coy, tacit, relativist assertion that it's sad when it happens to poor ladies, but emotionally neutral, even a little bit fun, for someone rich and pretty.

Nevertheless, we know instinctively that all types of prostitution are not created equal. Use your own offspring as a test. The idea of your daughter turning tricks in King's Cross is viscerally horrifying: a Belle de Jour type of arrangement doesn't stir the same feelings – terribly upsetting, but a Ralph Miliband-ish "It's against everything I stand for, but at least they're enjoying themselves".

Money changes everything. Something that would be degrading for a tenner isn't for £1,200, just as pickpocketing is tawdry while a jewel heist has a certain panache. Morality, as perceived by society, is indivisible from status, since only in the act of judging do we invest an act with moral weight, and we don't judge from a standing start. Sexual morality is particularly elastic. The cornerstones of the conversation are self-respect and dignity: an act that would be debasing if undertaken in desperation is empowering if you're the winner.

This is not the standard feminist line: the women's movement would have all women selling sex presented as victims of the violent irrepressibility of the male appetite. Yet the endpoint of this argument is that women, certainly in respect of their sexuality, are expected to operate under a bell jar, untainted by market forces, unmoved by money's charisma, heedless of its significance – when it is a given that these things beset and often define the rest of their lives.

And frankly, it is not just prostitutes but all women – particularly young, attractive ones – who are expected to move through the world in a bubble of purity, as though allergic to atavistic urges like competition. We talk about top-end prostitution in the same way as we talk about raunch culture: how could a nice girl consider it? Surely it represents a failure of female empowerment, to see young women measuring their bodies out by the pound, like they're at a car boot sale? But you'd be asking a lot of anybody that they imbibe the cultural values of competitiveness and capitalism yet keep their bodies sacrosanct, for reasons that are opaque and aren't even religious.

I am against sex for money. I think it reinforces the idea that women do sex as a favour to men; and for as long as we think this, the act will always be polluted by coercion of one sort or another. The slag/stud double standard will always hold. But whether or not a young woman with some good A-levels is selling her body couldn't be less relevant: we should be pulling this tree up by the roots, not hassling one of the apples.

Selling sex is bad. But a few A-levels don't make it worse| Zoe Williams | Comment is free | The Guardian
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Old 09-09-10, 10:30 AM
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I saw this. I think it probably has a relationship to the dirt/morality issue. Someone handing out blowjobs for £20 a time is more likely to have a bunch of yucky diseases.
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Old 09-09-10, 11:16 AM
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Originally Posted by contracycle View Post
So you should be chock-full of self-esteem, too refined to be an attention-seeker, intelligent enough to know that sex doesn't pay...
Except that sex does pay (albeit with high associated costs). What an education is supposed to give you is something else than yourself to sell...

Quote:
This is only news because of an assumption that all sex for money – indeed, all objectification – is abuse.

And I always found the opposite view really irritating: the Belle de Jour trope of a high-class hooker, shagging for money but with a great 'do and a Prada bag at the end of it, so what's not to like? This epitomised everything airheaded about "postfeminism", with its coy, tacit, relativist assertion that it's sad when it happens to poor ladies, but emotionally neutral, even a little bit fun, for someone rich and pretty.
So, basically, you're unhappy both with the feminist and the post-feminist take of prostitution. Fine. What's your position then? Coz I can't tell...

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Money changes everything. Something that would be degrading for a tenner isn't for £1,200, just as pickpocketing is tawdry while a jewel heist has a certain panache.
Pickpocketing is a fantastic criminal act, especially for gangs (which is why LatAm organised crime seems to have moved in on it): Low risk (incl. judicial ones - Without violence, the penalties are extremely light) and steady income: A good pickpocket can easily raise a couple of thousands a day.

So I don't think the image hold but I get the point. Lots of money makes most things acceptable - Incl. for the performer, who goes from "I am being abused" to "I am screwing that guy pretty hard!"...

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The cornerstones of the conversation are self-respect and dignity: an act that would be debasing if undertaken in desperation is empowering if you're the winner.
Yep. To be fair, it's the same with work. When you're getting paid peanuts, work feels like a violence. When you're paid loads, it goes down quite a bit better...

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This is not the standard feminist line: the women's movement would have all women selling sex presented as victims of the violent irrepressibility of the male appetite. Yet the endpoint of this argument is that women, certainly in respect of their sexuality, are expected to operate under a bell jar, untainted by market forces, unmoved by money's charisma, heedless of its significance – when it is a given that these things beset and often define the rest of their lives.
I don't see how that's significantly different from "I am against sex for money. I think it reinforces the idea that women do sex as a favour to men".

In both cases, it's saying that, while money defines the rest of our lives, women shouldn't think of exploiting the supply and demand desequilibrium on the sex (affection?) market...

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I am against sex for money. I think it reinforces the idea that women do sex as a favour to men; and for as long as we think this, the act will always be polluted by coercion of one sort or another. The slag/stud double standard will always hold.
How much free sex did Zoe Williams give to men before settling down?
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